Funk carioca (baile funk) grew in Rio's favelas in the late 1980s from Miami bass records played at the bailes. Around 2000 producers replaced the imported 808 loop with the tamborzão, a drum-machine pattern built from tambor and atabaque samples that made the music unmistakably Brazilian.
Here the 808 kick hits beat 1, the last sixteenth of beat 1, beat 3 and the last sixteenth of beat 3, and a low tom completes each half-bar, so kick and tom together spell 3+3+2 twice per bar. The clap/snare lands on 2 and 4, the Miami-bass inheritance, and the high tom adds short pickups that vary between bars. The 808 bass follows the kick and holds the long notes, shifting to the flat seventh at the end of bar 2.
Listen for the 3+3+2 in the low drums against the straight claps.
Practice hint: say "boom . . boom . . tom ." over the claps until the 3+3+2 sits by itself.