Caribbean · son jarocho · 6/8 compound

Son jarocho (6/8 sesquialtera)

180 bpm
Play it over changesother tunes, key, solo piano or guitar, loop, mixer
8ths

Son jarocho is the folk son of Veracruz on Mexico's Gulf coast, played at the fandango around a wooden platform (tarima) that the dancers drum with their heels. It is the home of the traditional "La Bamba".

How it sits: six eighths per bar in sesquialtera — bar 1 is heard in two (6/8), bar 2 in three (3/4). The jarana strum (guitar) says it plainly: long–short, long–short on C and F, then three even downstrokes on G7. The zapateado on the tarima follows the same switch — heel stamps (kick) on the two dotted quarters, then on the three quarters, with toe and shuffle strokes (rim) filling the eighths. The leona (bass), a deep four-string plucked with a horn pick, stays off the main beats and fills the holes the strum leaves.

Listen for bar 2 suddenly marching in three; that tilt is the son.

Practice: count 1-2-3-4-5-6, 1-2-3-4-5-6 and clap 1, 4 then 1, 3, 5.

References & listening

  • Book Daniel E. Sheehy The Son Jarocho: The History, Style, and Repertory of a Changing Mexican Musical Tradition(University of California, Los Angeles, 1979)— PhD dissertation
  • Recording Conjunto Alma Jarocha Sones Jarochos(Arhoolie (CD 354), 1994)— recorded near Veracruz in January 1978 by Chris Strachwitz and Dan Sheehy; tracks 1–12 first issued on Arhoolie LP 3008
  • Web Son jarocho(Wikipedia)

How this pattern was made

  • standard practice; no transcribed source